matt’s music blog

I really like this song. And one of th things that I like a lot about it, is I have nearly no idea what it’s about. Okay, that not totally true. I mean, as far as I can tell, it’s mostly just a bunch of verses about what this guy wants to do. Shall we get into it then?

It starts off with a solid bass line, a little bit of reverb-y guitar, and hand claps. Also a little bit of synth on the top, and some shaker. Then, the first verse. Now before I get into the lyrics of the first verse, one of the things that I really like about this song is that there ISNT a chorus, it’s really just the verse part repeated over, separated by a little bridge part.

I want to go up to Detroit
I want to lie in the shade
I want to visit the president
And then I want to get laid

Then, right on cue and perfectly timed, enter the drums!

I want to go down to Memphis
I want to talk to the king
I want to tell him we’re sorry
And it won’t happen again

What does that mean? Is he going to tell Elvis that… he’s sorry that he died maybe? I have no idea, but it’s a really cool line regardless. A little bit of lead synth, and then back to the verses. Notice, we’ve also added an acoustic guitar strum to the beginning of each phrase. And, possibly my favorite part, the amazing call and response singing.

I’ve got a photo of James Joyce
It’s a photo by Man Roy
It’s not very very much like him
But it’s not for me to say

Who’s Man Roy? That’s what I want to know. I used to think he was saying “memory” A quick jump on on wikipedia reveals… Nothing! Who is this mysterious Man Roy? Why did he take a photo of Jame Joyce? We may never know! But on to the next verse.

She sacrifices her body
Almost every night
Just like a lamb to the slaughter
And she thinks it makes him feel right

Bridge, then lead synth, with the addition of some little saxophone hits.

You gave me so many problems
You made me crash in my car
I’ll have a martini cocktail
And then we’ll see where we are

So just be nice to your brother
I’ll take your sister to bed
And I can bloc bloc bloc till the weekend
But you’d better come back soon

“I take your sister to bed!” Ahhhhh. So great! What exactly does bloc bloc bloc, mean? Once again, I have no idea. I really think it’s a song in the Bob Dylan style. Verses that are really just cryptic descriptions of things, instead of being a coherent story line. But instead of being kitschy, it’s well implemented. And kinda silly. But good. I would strongly suggest checking out the rest of this album, as it is similarly good.

-James Out

I’ve been a big fan of TV on the Radio, for a really long time. Well, maybe about 2 years now. Ever since their album Return to Cookie Mountain was released, I’ve really enjoyed their music.

As a general rule, I tend to find songs that are about sex to be a bit obnoxious. Usually they are just terribly graphic and almost awkward to listen to. I mean, Prince is great, but come on, there music be other things to write songs about.

That being said, Lover’s Day (which is most certainly about sex) is an amazing song. It might even be my favorite off the album (Dear, Science) And the reason is this: the format of the song is relevant to the subject matter.

It starts out slow, simple, like foreplay. Just a little bit of tambourine, drums, and singing. The the percussion picks up, and we get some strings. Then backing vocals, and flutes. Then it gets bigger, reverbed crash cymbols, and some horns are added. Then it backs off, not wanting to blow it’s load too soon (Sorry if that was a bit of a graphic metaphor. But again, relevant) Then it picks up again. Building more and more and more, getting to the climax finally! And then it falls, backs down, finishing with a nice saxaphone solo, some symphonic style snare drum and flute that continues on and fades out.

Not only that, but the lyrics also get more and more intense as the song goes on. Starting out, once again, simply. Talking about, obvious, A guy that really wants to get with his girl. Or, maybe excluding gender distinctions, someone that wants to have sex with someone else.

Oh but the longing is terrible,
A wanton heart under attack.
I wanna love you,
All the way off,
I wanna break your back.

Then the drums and music starts to pick up, and builds a bit more. So we move on lyrically.

We could build and engine,
Out of all your rising stars.
Tear apart the apart,
We seem to think we are.
Call of work let’s lay!
Call it lovers Day!
Call it lovers Day!

Then it backs off a little.  Talking more about wanting, and longing. Reassuring the other person, that there is pure inventions. Well, pure, sexually that is.

I’m not gonna tear it apart.
I’m gonna keep you week in the knees,
Try to unlock your heart.
You’re gonna turn me animal,
You’re gonna turn me dumb.
Your kiss in the night,
Bringing the light,
You’re like the rising sun

Then it builds a little more, getting more intense. Building and building, till we gert to this verse, which is really intense. The climax if you will. Notice again, as the music gets more intense, so too the lyrics.

Ball so hard,
We’ll smash the walls,
Break the bed,
And crash the floors, don’t!
Stop! Laugh and scream!
And have the neighbors call the cops!
’till all the eyes that they’ve seen our fire play!!
Can’t forget,
Mark it down,
Call it lovers Day!!

Now if that’s not some serious sex he’s talking about, then I don’t know what is. The song climaxes, and then receeds back to,

Yes here of course there are miracles.
Under your sighs and moans.
I’m gonna take you,
I’m gonna take you home.

And we move into the nice instrumental section, complete with the aforementioned saxophone solo, flutes, choral part, and almost march-styled snare drum part.

All in all, an amazing song, and possibly the best ending track, EVER.

-James out