matt’s music blog

I haven’t really listened to a lot of Common’s music. Only really this album, and one from the mid 90’s called Resurrection. But I have to say that I really like this song, and album, a lot. Really cool and solid beats, and good rhymes, hold it all together really well. Also, this album is produced by Kayne West, which I think shows a lot, in the beats.

There are quite a few things that I like about this song. I really like how it tells a fairly simple succinct story. Also, it has Lily Allen, who is an unlikely choice, but works really well. And she’s also very attractive, and adorably British. Not that it really affects her singing. Just sayin’. Anyway…

We start off with a cool march style drum loop, and Lily Allen’s almost eerie backing vocal line, that stays pretty constant throughout the whole song. She gives us the chorus, and then we move into the first verse.

She was the type to watch Oprah and the Today Show
Be on the treadmill, uh, like “Okay, go”
Had a body, A body that you can’t pay fo’
That mean she had some Ds on her but they wasn’t fake though
Had a drive for a drive for Rodeo
She spent pesos on those Lebeaus
Spin class at the gym, strip tease on a pole
She was so obsessed with her body and clothes
To every party she goes, tryin hard to be chose
They say it’s hard for a pimp but extra hard for these (hoes)
Readin Us and People Mag, tryna get the scoop
Chasin a actor for a Bentley Coupe
She been through the ball player from the Clippers, then came the pumps
All thinkin she number one where she was just a jumpoff
Doin all she can for a man and a baby
Drivin herself crazy like the astronaut lady

OOoooo. There are a lot of lines I like. Like… On the treadmill like OK GO, a reference to their famous music video for Here It Goes Again. Also drivin herself crazy like the astronoaunt lady, very good.

I’m not going to say a lot more on it, because really the genious is all in the lyrics. But rest assured, that this is a really good song

-James out

I’ve been a big fan of TV on the Radio, for a really long time. Well, maybe about 2 years now. Ever since their album Return to Cookie Mountain was released, I’ve really enjoyed their music.

As a general rule, I tend to find songs that are about sex to be a bit obnoxious. Usually they are just terribly graphic and almost awkward to listen to. I mean, Prince is great, but come on, there music be other things to write songs about.

That being said, Lover’s Day (which is most certainly about sex) is an amazing song. It might even be my favorite off the album (Dear, Science) And the reason is this: the format of the song is relevant to the subject matter.

It starts out slow, simple, like foreplay. Just a little bit of tambourine, drums, and singing. The the percussion picks up, and we get some strings. Then backing vocals, and flutes. Then it gets bigger, reverbed crash cymbols, and some horns are added. Then it backs off, not wanting to blow it’s load too soon (Sorry if that was a bit of a graphic metaphor. But again, relevant) Then it picks up again. Building more and more and more, getting to the climax finally! And then it falls, backs down, finishing with a nice saxaphone solo, some symphonic style snare drum and flute that continues on and fades out.

Not only that, but the lyrics also get more and more intense as the song goes on. Starting out, once again, simply. Talking about, obvious, A guy that really wants to get with his girl. Or, maybe excluding gender distinctions, someone that wants to have sex with someone else.

Oh but the longing is terrible,
A wanton heart under attack.
I wanna love you,
All the way off,
I wanna break your back.

Then the drums and music starts to pick up, and builds a bit more. So we move on lyrically.

We could build and engine,
Out of all your rising stars.
Tear apart the apart,
We seem to think we are.
Call of work let’s lay!
Call it lovers Day!
Call it lovers Day!

Then it backs off a little.  Talking more about wanting, and longing. Reassuring the other person, that there is pure inventions. Well, pure, sexually that is.

I’m not gonna tear it apart.
I’m gonna keep you week in the knees,
Try to unlock your heart.
You’re gonna turn me animal,
You’re gonna turn me dumb.
Your kiss in the night,
Bringing the light,
You’re like the rising sun

Then it builds a little more, getting more intense. Building and building, till we gert to this verse, which is really intense. The climax if you will. Notice again, as the music gets more intense, so too the lyrics.

Ball so hard,
We’ll smash the walls,
Break the bed,
And crash the floors, don’t!
Stop! Laugh and scream!
And have the neighbors call the cops!
’till all the eyes that they’ve seen our fire play!!
Can’t forget,
Mark it down,
Call it lovers Day!!

Now if that’s not some serious sex he’s talking about, then I don’t know what is. The song climaxes, and then receeds back to,

Yes here of course there are miracles.
Under your sighs and moans.
I’m gonna take you,
I’m gonna take you home.

And we move into the nice instrumental section, complete with the aforementioned saxophone solo, flutes, choral part, and almost march-styled snare drum part.

All in all, an amazing song, and possibly the best ending track, EVER.

-James out