Posts Tagged ‘hand claps’

Orchestral Movments in the Dark – Bloc Bloc Bloc (Crush, 1985)

Saturday, September 19th, 2009

I really like this song. And one of th things that I like a lot about it, is I have nearly no idea what it’s about. Okay, that not totally true. I mean, as far as I can tell, it’s mostly just a bunch of verses about what this guy wants to do. Shall we get into it then?

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It starts off with a solid bass line, a little bit of reverb-y guitar, and hand claps. Also a little bit of synth on the top, and some shaker. Then, the first verse. Now before I get into the lyrics of the first verse, one of the things that I really like about this song is that there ISNT a chorus, it’s really just the verse part repeated over, separated by a little bridge part.

I want to go up to Detroit
I want to lie in the shade
I want to visit the president
And then I want to get laid

Then, right on cue and perfectly timed, enter the drums!

I want to go down to Memphis
I want to talk to the king
I want to tell him we’re sorry
And it won’t happen again

What does that mean? Is he going to tell Elvis that… he’s sorry that he died maybe? I have no idea, but it’s a really cool line regardless. A little bit of lead synth, and then back to the verses. Notice, we’ve also added an acoustic guitar strum to the beginning of each phrase. And, possibly my favorite part, the amazing call and response singing.

I’ve got a photo of James Joyce
It’s a photo by Man Roy
It’s not very very much like him
But it’s not for me to say

Who’s Man Roy? That’s what I want to know. I used to think he was saying “memory” A quick jump on on wikipedia reveals… Nothing! Who is this mysterious Man Roy? Why did he take a photo of Jame Joyce? We may never know! But on to the next verse.

She sacrifices her body
Almost every night
Just like a lamb to the slaughter
And she thinks it makes him feel right

Bridge, then lead synth, with the addition of some little saxophone hits.

You gave me so many problems
You made me crash in my car
I’ll have a martini cocktail
And then we’ll see where we are

So just be nice to your brother
I’ll take your sister to bed
And I can bloc bloc bloc till the weekend
But you’d better come back soon

“I take your sister to bed!” Ahhhhh. So great! What exactly does bloc bloc bloc, mean? Once again, I have no idea. I really think it’s a song in the Bob Dylan style. Verses that are really just cryptic descriptions of things, instead of being a coherent story line. But instead of being kitschy, it’s well implemented. And kinda silly. But good. I would strongly suggest checking out the rest of this album, as it is similarly good.

-James Out

The Incredible Machine – Will We? (The Incredible Machine, 2009)

Monday, September 7th, 2009

The final in my Incredible Machine triad. I’m really tempted to keep on doing songs by them until Matt starts to get annoyed with me, and kicks me off. But unfortunatly there are so many good songs, and so little time. Anyway, Will We?

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We start off with a killer banjo lick, and bass guitar, and jump right into it.

I’m going to write the song that breaks your heart today.
Trade pretty tears for pretty chords,
Leave you standin’
with nothing left to say.

Like a lemon, so bitter and sweet
Just desserts are not a fun dish to eat

“Like Lemon, so bitter and so sweet” Recalls the famous folk standard “Lemon Tree” And then “Just desserts are not so fun to eat” Just ties it together amazingly well. We move next to the chorus, which contains a bit of snare percussion (accenting the beat) and some backing vocals.

‘Cause I’m trying to see
What exactly it is you want from me
I guess we’ll never know
Will we?

The next verse is just more of the same goodness.

This is the hardest part I have to do today.
When I tell myself I never cared and
just imagine
this all away.

If this is a game then you’ve sure got me beat
Staring awkwardly down at my own feet

Oh no! Our scorned angry narrator is not possibly as scorned or angry as he would like to be. He’s torn between wanting revenge for a broken heart, and still having feelings for the person. I’d especially like to point out “If this is a game then you’ve sure got me beat”  Next chorus is same as the last. The last Verse is most certainly my favorite. It goes on as usual, then during the list of things, we get this cool breakdown part. Complete with hand claps and tambourine.

I’m going to write that song that breaks your heart today
Trade pretty tears for pretty chords,
Notes that shake you to the core
Let’s see what I’ve got to say:

She’s the one gives me the blues
Her tiny toes In dancin’ shoes
With hair that’s like a summer breeze
a picnic under Autumn trees
I lost the game I’d like to play
I’m feeling so alone today
I’m feeling so alone today

We end with another chorus (tambourine included) and a nice little ending bit. All in all, a fantastic song. Lots of really good descriptive lyrics at the end, combined with a simple poppy sound, makes this one a real winner in my mind.

-James Out

The Magnetic Fields – All You Ever Do Is Walk Away (Holiday, 1994)

Wednesday, July 22nd, 2009

Stephin Marit, in a lot of ways, is the appitomy of singer song writer to me. Being the key creative influance, and songwriter for all of the Magnetic Fields is really only one feather in his cap. And, listening to his music, it makes perfect sense that he and Daniel Handler are such good friends. If I could make a small comparison, Stephin Marit does for music, what Daniel Handler does for books, and writing. Makes them amazing.

What I like a lot about this album is that it’s totally not a 90’s album. Not in the least. In fact, if I hadn’t just looked at when it was released on wikipedia, I would have thought that it came out sometime in the 2000’s. Imagine if you handed Stephin Marit an old synthesizer, and said, “Okay, I want you to make an album,” And then let him go wild. That would be this album.

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It starts off with a little intro bit, that sounds like a castlevania riff to me, and we get right into it. Distorted guitar, backed by syth drums, hand claps, and that same keyboard part. A really solid backing part, all tied together by Stephin Marit’s unique singing voice.

Sad as a painted clown, a beautiful boy in an ugly town
but when your circus closes down don’t walk away from me
you’ve been asleep too long, the birds are bruises in the dawn
the pounds of flesh between us stretch as far as you can see

Dramatic pause and Chorus time! Back by a little backing vocals.

But all you ever do is walk away and I know if you’d only go slow you could see what it means to be making the scene with me

But all you ever do is walk away and I think if you tried
you could find a little time
for the life I can see in your eyes, don’t go. Don’t go.

The song continues in a similar fashion as before, as we move on to the second verse

Sometimes you just explode and no one alive can break your code
You have a language of your own, an unconnected road
The people you called your friends, the places you won’t go again
The decades lost in finding them, you’ll have to let them go.

Then we get another chorus, repeated until the end. All in all, a simple little song, but very enjoyable. I especially like the strange and image invoking lyrics. As always, I would strongly encourage you to check out the rest of The Magnetic Fields’ work. Especially the concept album, 69 love songs. Which is, as you might imagine, 69 songs about love, in one way or another.

-James out!

Passion Pit – Better Things (2008, Chunk of Change)

Friday, July 10th, 2009

Sorry it’s taken me so long to get around to this other post. So this is my favorite song off of the Passion Pit EP, Chunk of Change, that was mentioned in the previous post.

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I think you’ll notice right off, that this song is a little bit more… low-fi, shall we say. Not as polished as Little Secrets. It starts out with a strange little voice clip and we are taken right into the song. Syth guitar and pads back up the song, as we get the chorus

you’re gonna drive me crazy
you’re gonna drive me mad
you got an angel on your shoulder
makin hairpins outta glass

The backing track drops back a little, there’s a cool little breakdown, then we get the verse.

i believe in believing
the things that we don’t see
and the skin violin is where the neighbors wont read meals
and the family heirloom jewelery
with sets and heaps of thieves
will cast down things
that you’ve never even seen

Suddenly the song starts building in intensity, adding a little bit of harpsichord in the background. Keep an ear out for the doubled ‘oh no’ in this part too.

ike the gods
like the glory like the stories
that your fathers set before you
ride the tiger round the kingdom
oh no (oh no)
oh no there’s a meeting in the canyons
oh no! (oh no) this is rising to the clouds

Very nicely exicuted Passion Pit. I can just imagine them members punching the air at every “oh no!” I know that I do. The chorus comes back with a little bit of electric guitar to accent it, and move directly into the next verse.

i’m shooting off the cannons
of the clouds begin to flow
and the baskets weave with your mother’s teeth but the ones we’ll never keep
just pretend that things are mobile and will never stay put
and the way we were the day we climbed to the top of the
steeple with its people spewing angels out their mouths and letting tables turn to charcoal in the lipstick and the lipstick in the evening(oh no)
oh no we were waving like the trees
oh no then they moved us to the sky

I really only take time to show you all of the lyrics, because I think they are really genious, and again, kinda easy to miss, if you don’t actually look at them. Anyway, on to the bridge. We get a little zilaphone part, and the drums back off a bit.

two or three times the bell will ring but when when we look for the better things we search for this we have not build i feel it crash upon your skin

The the drums start to come back in, and we get building hand claps,

i find it hard to believe there more
of these things behind the door
do you miss me like i miss you
do i miss you like you miss me

Then we’re thrown back into the chorus and secondary chorus for a few more times. Then it kinda fades away with a little organ part and wailing guitar.

All in all I think this is a fantastic song. It’s upbeat happy feeling, plus good us of synth, and shouting chorus parts, combined with really cool lyrics, makes it a definite winner. Anyone who enjoyed this one, I encourage you to check out the EP, and their album too (Manners)

-James out